The mood expressed in 'We Have Come Home' by Lenrie Peters is that of

Table of Content

• Homecoming Summary & Analysis
• Simile
• Stanza Two
• Similar Poetry
• Homecoming by Lenrie Peters

In ten pages this paper discusses the Basilica of St. Peter's master architect Bramante. The thirteenth century and a Prussian nobleman who came to Russia that time . In the case of Pinters story there is a family comprised of five men and then one of... To understand his culture and find his place in it; its not surprising that his poems speak to his experience and his characters f... Readers, the reference will be obvious, but for young people for whom the Second World War and its atrocities seem unreal, it may ... That all the pageants play,/Disguysing diversly my troubled wits" (lines 3-4). The poet narrator is the "star" of all the "pageant...

He specifically mentions the “house with the shutters.” This suggests that the speaker is thinking about one place specifically. It’s “the” house he remembers, perhaps the one he grew up in or one that meant a lot to him.

Homecoming Summary & Analysis

Than they preserve" . The poem "Homecoming" which is among his collection which show the corruptive greed ... While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.

Peters’s poetry (Poems, 1964; Satellites, 1967; and in several anthologies) is less pessimistic, characterized by a hope that good will prevail and by a sense of discovery. Some of his poems, however, tell of an estrangement similar to that in The Second Round, and others were scathing critiques of Westernization and contemporary African politics. He issued two further collections of verse, Katchikali and Selected Poetry . Peters also published short fiction and political commentary in an array of journals.

Simile

In the next few lines, the speaker suggests that there is a new intergenerational rift he’s aware of. His “sapless roots,” which are all worn out, have fed the “seedlings of another age.” The new seedlings have taken all the life from the “roots” of his generation. He may be trying to express that his generation was firmly rooted in place while this new generation, barely started, is taking advantage of what the past generations established. The seedlings are “wind-swept,” a term that suggests that they lack the strength and the establishment that the past “roots” or his generation did.

His first novel, The Second Round was published in 1965 by the publishers Heinemann. He falls in love with a young girl only to discover how unfaithful she is. His passionate love affairs ends up in dismal failure. Dr Kawa is so traumatised that his sentimental life is plagued by disorder. In an attempt to escape from this situation he moves to the country side.

Stanza Two

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The Gambian writer and surgeon Lenrie Peters published "Homecoming" in his second collection, Satellites , alongside other poems that similarly touch on questions of identity, tradition, home, and community. The poem explores the disillusionment and disappointment of returning home after a long period away only to find things changed beyond recognition and seemingly lacking the grounding and richness of the past. The poem was likely inspired by Peters's own experiences returning to Africa after having studied and worked in England.

The poem does not follow a specific metrical pattern, but it does have a rhyme scheme—the first three stanzas rhyme in a pattern of ABAB CDCD, and so on. The pattern disappears, but readers do still see examples of rhyme. For example, “town” and “ground.” This change reflects the poem’s central meaning. From Angola to Nigeria and Gambia to Zimbabwe, The Penguin Book of Modern African Poetry serves as an excellent introduction to the poetry of 27 countries.

Homecoming by Lenrie Peters

Organized for easy reference, the collection includes an index sorted by first line, as well as an appendix of author biographies. In 1967, Dr Peters published Satellites, a collection of 55 poems where intimate emotion is combined with a deep meditation on human dignity and justice. In the first few lines, the speaker notes that the present ruled over the past. He uses a simile to compare it to the way that water might rise up out of a drainage system.

The house is lived in “by new skeletons.” It lacks what made his home worth loving and appreciating. The image is a dark one, suggesting that there is no way to get back the warmth of the past. The fact that the house has no shadow is an exciting addition to the image. Like the wind-swept seedlings, it may suggest that the house has no impact on its surroundings.